The Devil Wears Prada 2 is so much better than its terrible marketing – review

Welcome to the resistance, Miranda Priestly. Not even the die-hard loyalists of 2006’s fashion satire The Devil Wears Prada expected much from its return to the big screen: a ‘cerulean sweater’ callback, alongside some washed-out lighting and plenty of egregious product placement. Yet the sequel delivers a trenchant, committed portrait of contemporary journalism, with Meryl Streep’s Miranda lambasting AI’s encroachment on media as an affront to human achievement.

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